CURRENT & UPCOMING EVENTS
New, Expanded Hours: Starting Friday, April 3, the Mill Museum will be open THREE days a week: FRIDAY, Saturday, and Sunday, from 10 a.m. until 4 p.m. (The Museum does close Christmas Eve, Christmas, Easter Sunday, Independence Day, and the entire month of January, when we close for cleaning and putting up new exhibits.)
New Permanent Exhibit: Thread City: The Rise and Fall of the Connecticut Textile Industry. For the past year, the Mill Museum has been renovating and revamping its main exhibit room, the Bev York Room. We laid new carpeting, repainted the walls and ceiling, built partitions, and installed track lighting. “The new space will accommodate several activities at once,” said Senior Curator Jamie Eves. “There is a space for changing exhibits, a small theater for watching videos, an Educator’s Corner with hands-on activities for children and adults, and a new permanent exhibit.”
The new exhibit, Thread City: The Rise and Fall of the Connecticut Textile Industry, takes up about half the room, about 740 square feet. “This is an exhibit that we have wanted to create for a long time,” said Eves. “It serves as an introduction to the Museum, summarizing our story and providing context for all of our other exhibits.” Thread City is divided into five charettes. The first, “Age of Homespun,” introduces visitors to how people in Connecticut made textiles—thread and cloth—before 1793, when the American Industrial Revolution began. “It features a lot of interesting preindustrial technology,” said Eves, “but the central piece is a working eighteenth-century barn loom.” Volunteer weavers and carpenters, led by weaver Peggy Church, reassembled the loom, replacing some of the parts. Then, Church and other weavers dressed the loom 1700s-style and have been weaving on it. Other charettes examine the advent of industrialization; the role of labor; the building of industrial communities; and, finally, the decline of industry in the twentieth century. The entire exhibit is built out of artifacts owned by the Museum, which have mostly been in storage.
“It’s what I call a ‘discovery’ exhibit,” said Eves. “Visitors walk through the exhibit in chronological order, taking a trip through time, encountering artifacts that tell stories about how people used to live, what they accomplished, and why it all went away. It’s not just random stuff in glass cases. Each artifact tells a story, and the stories are all connected.” Notable artifacts include an elegant, handmade desk that may have been brought to Connecticut by a Habsburg duke who, after World War I, worked at the American Screw Company as a factory hand; an award-winning diorama of an early 1800s cotton mill; a baseball uniform worn by a turn-of-the-century major leaguer who later played and coached in Connecticut’s industrial leagues; a union charter; a machine fixer’s tool chest; an elegant thread case; several vintage industrial products (clocks, sewing machines, thread, etc.), solid “sad irons,” and more. “The artifacts on display are just a representative sample of objects in the Museum’s collection,” Eves said.
The exhibit focuses on Willimantic, as an example of the rise and fall of industrial Connecticut, linking one community to the rest of the state. In the near future, QR codes will be added to take visitors to online activities, the Museum’s online catalog, objects elsewhere in the Museum, and the websites of other museums that tell similar stories. “The exhibit has been years in the making,” added Eves. “I got the idea two decades ago from Bev York, who wanted to do something similar. But in the last few years, everything came together. The Museum received a $20,000 ARPA grant, other monies became available, and a core of dedicated, energetic, and talented people came together. This is truly a group effort. We intend Thread City to be the cornerstone of a new, more interactive and interconnected approach to storytelling. We have even brought the surrounding environment into the Museum. Come see the ‘secret’ tunnels.”
Special Exhibit: Unmentionables: Undergarments of the 19th century and the women who wore them. Feb. 7 – April 26, 2026. This exhibit showcases 19th century women’s undergarments; the various pieces and how they were put together under an everyday outfit. The undergarments women were expected to wear in this era were many and sometimes cumbersome, especially by today’s standards. They, both the garments and the wearers, were expected to maintain a certain level of decorum and sensuality while also being relatively practical. The exhibit also highlights the differences between undergarments worn by the middle and working class. Which items were considered necessary and which were too impractical for the working class?
Regular Program: Monthly Spinning Bee. Fourth Sat. of Each Month, 10 a.m. – 1 p.m. Experienced spinner and weaver Peggy Church leads a drop-in spinning bee at the Mill Museum each month in the Museum’s historic Dugan Hall, 157-B Union St., Willimantic. Bring a spindle or wheel or just hang out. No admission charged for spinners. Beginners are welcome. Museum visitors are welcome to watch and ask questions. Spinners, please let us know that you plan to come by contacting Peggy at Peggy Church. Park along Union St. or in our Main Street parking lot. In Colonial Connecticut, women held spinning bees for camaraderie, friendship, and encouragement. Novice spinners learned from experienced spinners, and experienced spinners shared lessons learned over a lifetime of work. During the American Revolution, spinning bees gave women an opportunity for political expression and participation. Patriot women organized spinning bees in support of the non-importation of English manufactured cloth, producing homespun in support of the patriot cause. The Mill Museum invites all spinners — women, men, and children; patriots and loyalists; novices and veterans. Spin or just watch, it’s up to you.
Regular Program: Stitching Circle at the Mill Museum. First Sunday of Each Month, 2-4 p.m. Looking for a community with which to stitch? Have an unfinished needlework project you’ve been meaning to pick up up? Ready to start a new needlecraft project and looking for some inspiration? Join us at the Mill Museum on the first Sunday of each month (except January) from 2 p.m. to 4 p.m. Open to all Mill Museum visitors with regular admission. Museum members are always free! Bring your own project! Don’t have a project on which to work? We have a variety of materials, tools, and kits available in our gift shop!
Regular Program: America 250: Still Revolutionary. Fourth Sunday of Each Month Throughout 2026, 4 p.m. A series of illustrated lectures on the significance of the American Revolution by historian Bev York. Held in historic Dugan Hall, 157-B Union Street, Willimantic. Appropriate for teens and adults. On-street parking on the south side of Union Street, or in the Museum’s parking lot at 411 Main Street. Free and open to the public. Funding provided by the Leo J. and Rose Pageau Trust. Donations appreciated for support of the Mill Museum. Topics are subject to change, so check back here for updates.
- Mar. 9. Nathan Hale: Scholar, Soldier, and Spy. The life and times of Connecticut’s State Hero. (Postponed from Feb. 22 because of storm.)
- Mar. 22. John Trumbull, Painter of the Revolution.
- Apr. 26. What People Used for Money before the Revolution. Colonial Currency. Dr. Peter Jones, guest speaker.
- May 24. Soldiers’ Rations. Revolutionary War Commissary.
- June 28. Declaration of Independence. Local founders.
- July 26. Outhouses and Their Role in the Revolution.
- Aug. 23. The Story of the Bicentennial Wagon Train.
- Sep. 27. Eighteenth-Century Herbal Cures and Treatments.
- Oct. 25. Prisons and Prison ships in the Revolution.
- Nov. 22. Eighteenth-Century Bundling, Brides, and Babies (Not Necessarily in That Order).
- Dec. 27. Washington Crossing the Delaware and More.
Special Exhibit: Art Quilt Exhibit, Sat., May 2, to Sun., Jun. 28. Studio Art Quilt Associates, Connecticut, will sponsor “Local Color 7: Circular Thinking,” a temporary, juried art quilt exhibit at the Mill Museum. An exhibition of fiber art by members of SAQA-CT to explore the varieties of meanings, images, and experiences evoked by the circle. The circle can be appreciated as a shape, a symbol, a concept or a metaphor. This exhibition seeks to celebrate diverse explorations of this image that has permeated cultures across the world and across time.
Special Event: Concert, May 16, 2-3 p.m. Former Connecticut State Troubadour Sally Rogers will perform a medley of textile and mill history songs to accompany the SAQA-CT art quilt exhibit, “Local Color 7: Circular Thinking.” Folk singer, songwriter and educator Sally Rogers has performed from coast to coast for forty years! She has performed for audiences around the world at festivals, concerts, schools, and most any other public place you can imagine. Sally is equally talented at stirring a crowd to sing, or at using music to draw out even the shyest child in a classroom to become an active and enthusiastic participant. Widely known for her crystal clear voice, Sally accompanies herself with guitar, banjo and mountain dulcimer. A talented fiber artist as well as a musician and educator, Sally is a member of SAQA and her work will be displayed in the quilt exhibit. The performance will be held at the Museum’s historic, restored Dugan Hall events room at 157-B Union Street. There is on-street parking on Union Street, and well as parking in the Museum’s parking lot at 411 Main Street, Willimantic, CT, 06226.
